Whether on skis, at the gym, or in the studio, Lindsey Vonn is hard-wired to work at the highest level. She’s an Olympic gold medalist, the women’s record holder for World Cup victories, and she is one of the most naturally beautiful women I’ve ever photographed.
Photography gets under your skin. It burrows itself into your soul and infects you for a lifetime. It chooses you. When you meet other people who also love photography, their energy is infectious and it’s deeply inspiring to be around. They understand your obsession. And they want to talk about the virus that’s infected us all.
When I started using Speedlights, I was hoping that I might be able to use them for some of my work without feeling like I was cheating my clients. A few months and many projects later, the only one I feel like I’ve been cheating is myself—for not ditching the studio gear more often. These days my Speedlights are getting a very regular workout and I feel pretty foolish for not looking into them years ago.
Football players are built differently than the rest of us. They’re taller, they’re wider, and some of them weigh as much as three cheerleaders. But what happens when you have to include 19 of these big men in the same frame for a Sports Illustrated magazine shoot?
A camera is simply a tool that allows me to capture light in a box and hold it there until I’m ready to see it or share it. But a camera is also an extension of my mind and intention. To that end, a great camera can be a frictionless part of the process, while a poor one can be a frustrating impediment.
Soccer star and swimsuit model Alex Morgan kicks ass—on the soccer field and in a swimsuit. Photographing her for Sports Illustrated is much more than an ordinary editorial assignment. Even after producing more than 50 portrait projects for them, every project arrives with both reverence and responsibility.