You never know how a day of photography is going to turn out. Some projects can be one challenge after another, while others proceed without a hitch. One thing you never expect is a day of photography that ends with someone almost dying.
When I started using Speedlights, I was hoping that I might be able to use them for some of my work without feeling like I was cheating my clients. A few months and many projects later, the only one I feel like I’ve been cheating is myself—for not ditching the studio gear more often. These days my Speedlights are getting a very regular workout and I feel pretty foolish for not looking into them years ago.
If you’re a photographer with a fine portfolio of work who wants to be found, who wants to be hired, and who wants to be valued—but you’re still waiting for the phone to ring—read on.
A camera is simply a tool that allows me to capture light in a box and hold it there until I’m ready to see it or share it. But a camera is also an extension of my mind and intention. To that end, a great camera can be a frictionless part of the process, while a poor one can be a frustrating impediment.
The results of both the testing and the real-world use were repeatable and the conclusion was irrefutable. I wasn’t using the right camera for the kind of work I do and I decided that it was time to make the switch to Nikon. And so I have.
There are precious few careers that can put you on a major league baseball field one day, in a helicopter the next day, and on a movie set the following day. It’s a true gift to find something to do with your life that sustains your soul and spirit. It’s like finally discovering “the one.” When you find that connection, the depth of the love is undeniable. It weaves itself into your very being and remains there until the day you die.